Finally, in 2010, we got new official material as Marsha Ambrosius (the Songstress), after feeding her fan base with a series of mixtape material and appearances on songs with the likes of Dr.
A brief reincarnated version of the group (featuring the Songstress and Amanda Diva) just wouldn’t do. As a little time passed, rumors persisted of reconciliation. For good measure, those projects sandwiched the Floacism “Live” release in 2003.
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The payoff for that work was an album that went gold and spawned a few Grammy nominations (2003 Best Contemporary R&B Album, Best R&B Song and Best Urban/Alternative Performance for the single “Floetic” and 2004 Best R&B Performance by a Duo or Group with Vocal for “Say Yes”) and a follow-up disc, 2005’s “Flo’Ology,” that cracked the Billboard 200’s Top 10 chart, peaking at No.
More importantly, they had to trust and believe in each other enough to hightail it to another country to get to where they felt they needed to be. They had to hone their skills and build the chemistry as artists who people would believe that once they got here, they’d stay here. In actuality though, they’ve been putting work in. Is that a possibility? When Floetry was introduced to the national public in 2002, with their commercial debut project, “Floetic,” many people thought that was the beginning. Suppose it wasn’t a parting of the ways of a group, but rather an opportunity for everyone else to catch up? Hmm. Maybe, just maybe, we were looking at this thing all wrong.
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